Streamable right now | @Prime
With American Fiction, Cord Jefferson crafts a hilarious and withering satire about an African American novelist chafing against an industry that limits Black storytelling to trauma and poverty narratives.
Radheyan Simonpillai in The Guardian
In theatres 28th of March | @Scala
The pleasures of Wicked Little Letters […] are simple. Would you like to see two of our finest actresses clad in period garb, screaming hilarious (and ridiculous) profanities at one another? You would? Good.
Esther Zuckerman in Vanity Fair
In theatres 21st of March | @Abaton
Like its characters, Moreno’s banally surreal, madly sensible, big-little movie eschews the safe old daily grind in favor of the perilous unknown, and so, in a uniquely pleasurable way, reminds us that we too have options: Choose work, or choose the whole wide, weird world instead.
Jessica Kiang in Variety
In theatres 21st of March | @Scala
A dense and looping melodrama that spirals towards its core idea with the centrifugal force of a Christopher Nolan movie, Monster is one of those movies that — from its title on down — invites the audience’s worst assumptions of its characters so that it can show us our blind spots when the story eventually circles back to fill in the blanks
David Ehrlich in IndieWire
In theatres 21st of March | @Abaton
Dream Scenario is simply the best absurdist comedy of its kind since “Anomalisa” (the Kaufman connection being further cemented by a Cage performance that feels like it was born from superimposing both of his “Adaptation” characters on top of each other. …And also by a running joke about antkind).
David Ehrlich in IndieWire
In theatres 7th of March | @Filmpalast
Coming out of “Drive-Away Dolls,” an uproarious, sexy and deliciously feminine B-movie, the immediate thing you might realize is just how dearly this particular Coen Brothers flavor has been missed. You know, that quirky, familiarly zany essence last seen in “Burn After Reading” (or perhaps “Hail, Caesar!”), living on its own zippy and colorful terms, unbothered with the rules and properness of anywhere else.
Tomris Laffly in RogerEbert.com
In theatres 29th of February | @Scala
The Zone of Interest is a challenging rather than conventionally provocative film but, by any measure, essential viewing and a work that will be a vital focus of discussion both in the cinephile world and beyond.
Jonathan Romney in Screen Daily
In theatres 29th of February | @Scala
Eine Düne ist eine Erhebung aus Sand, der vom Wind angeweht und abgelagert wird. Die Bildung von Dünen setzt das Vorhandensein von Sand und das Fehlen von Wasser oder einer geschlossenen Pflanzendecke voraus. Dünen bilden sich daher bevorzugt in trockenen (ariden) Klimazonen, können aber auch in humiden Gebieten auftreten, sofern die befestigende Vegetation beseitigt wurde. Wird der Sand eher gleichmäßig in Form einer Decke aufgeweht, spricht man neutral von Flugsand.
Wikipedia
In theatres 15th of February | @Abaton
It’s one of the most chilling art-Westerns to come along in some time, as provocative for its ideas, dialogue, and characterizations, as for the beauty of its empty landscapes.
Christian Blauvelt in IndieWire
In theatres 15th of February | @Scala
Colin West’s Linoleum is the kind of movie that’s all but impossible to review with any specificity, because so much of its achievement lies in its surprises – how it seems to be doing one thing while slyly doing another, without deception, and then revealing its ultimate intentions with grace and style.
Jason Bailey in The Playlist
